To capture Gaffer Chalcedony in it's natural state.
Sometimes (quite often in fact) indoor lighting just doesn't capture the colours as one would like, & certainly not as they appear in hand....unless you are prepared to do a bit of photo editing.
I've found this glass particularly hard to capture - but noticed that direct sunlight they appeared truest to colour. Of course direct sunlight causes it's own set of problems - namely reflection & bright spots all over the beads.
The next best option is on a sunny day, but just out of direct sunlight.
Today the masses got fondled again - taken outside, placed on the nice neutral weathered background in a shaded part of my old outdoor table & photographed. Not quite as vibrant as it appears in the sun - but gorgeous none the less.
So here it is "Gaffer Chalcedony Unplugged" - no editing at all apart from quickly cropping & resizing.

Gaffer Chalcedony 'en masse'
Finally I can show you why this bead is one of my two favourites. It seems to glow from within - it certainly has a depth & flow to it that is unlike anything I have achieved to date. The striking cycle seems to be purples, plums & pinks first - then the blues & greens. You can have heaps of fun with selectively re striking certain area's of the bead for colour contrasts & variations.

Perhaps when my new glass arrives I will get over my infatuation & enthusiasm with this glass...then again perhaps I will have a greater selection of glasses on which to test it!
I'm still predominantly using the 96 COE's with this though, even though there are no signs of any incompatibility cracks on the beads I made using the Vetrofond Black 104 COE as a base. The bead that landed end down on the tile floor is, of course the exception.
I'm annealing a bit higher, a bit longer & with a slower ramp down - just to be on the safe side ;o)